Les Rêves Canadiens


Selected titles that have influenced the art of this gallery. If you would like to add to this list please submit through e-mail cope@reach.net.



Absher, T. (1990). Men and the goddess: Feminine archetypes in western literature. Rochester, 
VT: Park Street.

Anderson, M. (1983). Colour healing: Chromotherapy & how it works. Wellingborough Eng: 
Aquarian.

Adato, P. M. (Producer & Director). (1977). Portrait of an artist: Georgia O'Keeffe. [Video]. New 
York: WNET.

Berger, J. (1966). The success and failure of Picasso. London: Penguin.

Berger, J. (1972). Ways of seeing. London: Penguin.

Bernar, D. (1988). Cezanne. Milan:Gruppo.

Blatter, J. and S. Milton. (1981). Art of the holocaust. New York: Rutledge.

Bly, R. (1991). Iron John. New York: Random House.

Clay, J. (1978). Modern art 1890-1918. Secaucus, NJ: Wellfleet.

Czarnecki, J. P. (1989). Last traces: The lost art of Auschwitz. New York: Atheneum.

DeMause, L. (1982). Foundations of psychohistory. New York: Creative Roots.

DeMause, L. (1984). Reagan's America. New York: Creative Roots.

Don, F. (1977). Colour your world. New York: Destiny.

Edwards, B. (1989). Drawing on the right side of the brain. Los Angeles: Tarcher.

Eggum, A. (1989). Munch and photography. New Haven CT: Yale.

Epstein, S G. (1983). The prints of Edvard Munch, mirror of his life. OH: Oberlin College.

Farb, P. (1968). Man's rise to civilization: As show by the Indians of North America from 
primeval times to the coming of the industrial state. New York: Dutton.

Garrard, M. D. (1989). Artemisia Gentileschi: The image of the female hero in Italian baroque art. 
Princeton NJ: Princeton Press.

Gombrich, E. H. (1985). The story of art. NJ: Prentice-Hall.

Hardy, W. (1987). The history and techniques of the great masters: Van Gogh. NJ: Chartwell.

Itten, J. (1970). The elements of colour: A treatise on the olour system of Johannes Itten based on 
his book the art of colour (E. Van Hagen, Trans.). New York: Reinhold.

Itten, J. (1973). The art of colour. New York: Van Nostrand Reinhold.

Jacobs, M. (1979). Nude painting. New York: Mayflower.

Jones, A. (1982). Seven mansions of colour. Marina del Ray CA:  DeVorss.

Kandinsky, W. (1977).  Concerning the spiritual in art. New York: Dover.

Kay, R. (1983). The painter's guide to studio methods and materials. NJ: Prentice-Hall.

Keen, S. (1991). Fire in the belly: On being a man. New York: Bantam.

Kelen, E. (Ed.), (1990). Leonardo da Vinci's advice to artists. PA: Running Press.

Kellogg, J. (1981). Mandala: Path of beauty. Unpublished manuscript. Mandala assessment and 
research institution.

Kellogg, R. (1970). Analyzing children's art. Palo Alto CA: Mayfield.

Lipset, S. (1990). Continental Divide: The Values and Institutions of the United States and Canada. 
New York: Routledge.

Machover, K.(1980). Personality projection in the drawing of the human figure: A method of 
personality investigation. Springfield IL: C. Thomas.

May, R. (1975). The courage to create. Toronto: McLeod.

McGoldrick, M. & Gerson, R. (1985). Genograms: In family assessment. New York: W. W. 
Norton and Company.

Mead, M. & Heyman, K. (1965). Family. New York: Ridge.

Miller, A. (1991). Banished knowledge: Facing childhood injuries. NY: Doubleday.

Miller, A. (1986). Pictures of a childhood. Toronto: Collins.

Miller, A. (1990). The untouched key: Tracing childhood trauma in creativity and destructiveness. 
New York: Doubleday.

Miller, A. (1991). Breaking Down the wall of silence. New York: Dutton.

Nader, R. Canada Firsts.

O'Keeffe, G. (1976). Georgia O'Keeffe. New York: Penguin.

Odent, M. (1990). Water and sexuality. London: Penguin.

Page, J. & Morton, E. S. (1989). Lords of the air: The  Smithsonian book of birds. New York: 
Crown.

Peck, S. R. (1987). Atlas of facial expression. NY: Oxford Press.

Penney, D. W. (1992). Art of the American Indian Frontier: The Chandler-Pohrt Collection. 
Toronto: Douglas & McIntyre.

Ross, R. (1992). Dancing with a ghost: Exploring Indian reality. Markham, ON: Octopus.

Rubinstein, C. S. (1982). American women artists: From early Indian times to the present. New 
York: Avon.

Saitoti, T. O. (1990). Massai. New York: Harry Abrams.

Sams, J. & Carson, D.(1988). Medicine cards. Santa Fe NM: Bear. 

Sauvageot, C. (1979). Children of the world. Paris, France: editions j.a.

Seeger, N. (1984). A painter's guide to the safe use of materials. Chicago: Art Institute of Chicago.

Simon, R. (ed.). (1991, March/April). Bowen's legacy. The Family therapy networker.

Sloan, J. (1977). Gist of art: Principles & practise expounded in the classroom & studio. New 
York: Dover.

Smith, S (ed). (1981). How to draw and paint. New Jersey: Chartwell Books.

Stern, A. (1988). How to see colour and paint it. New York: WatsonĦĦ-Guptill.

Thomson, M. (1989). On art and therapy: An exploration. London: Virago Press.

Titelman, P., (Ed.) (1987). The therapist's own family: Toward the differentiation of self. NJ: 
Aronson.

Truit, A. (1982). Daybook: The journal of an artist. New York: Random House.

Tufts, E. (1975). Our hidden heritage. New York: Paddington.

Tzu, Sun. (1991). The art of war. Trans. Thomas Cleary. Boston: Shambhala.

Ward, M. (Ed.). The artist's magazine. OH: F&W Publications.

Weiner, E. (1975) Art and human emotion. Springfield, IL: Thomas.

Weisberger, E. (Ed). (1987). The spiritual in art: Abstract painting 1890- 1985. New York: 
Abbeville.

Wenig, S. (1969). The Woman in Egyptian Art. New York: McGraw-Hill.

Wilks, C. W. (1983). Hillmother. Toronto: Exile Editions.

Williams, H. (1991). Falling for a dolphin. New York: Arcade.


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